Book birthday! HOPE ISLAND is published today in the UK.
It’s obviously not the ideal time to be launching a book, and it feels really strange that none of us can wander into a bookshop right now. So, here’s a convincing simulation of HOPE ISLAND on the shelf, not least so that you can appreciate Julia Lloyd’s terrific spine design. (I don’t normally alphabetise my books, FYI.)
Workaholic TV news producer Nina Scaife is determined to fight for her daughter, Laurie, after her partner Rob walks out on her. She takes Laurie to visit Rob’s parents on the beautiful but remote Hope Island, to prove to her that they are still a family. But Rob’s parents are wary of Nina, and the islanders are acting strangely. And as Nina struggles to reconnect with Laurie, the silent island children begin to lure her daughter away.
Meanwhile, Nina tries to resist the scoop as she is drawn to a local artists’ commune, the recently unearthed archaeological site on their land, and the dead body on the beach…
If you’re in the UK, the book is available for only £7.99 on Hive.co.uk, and part of the money goes to an independent bookshop of your choice.
HOPE ISLAND is published in the US today! Here it is, modelled by my youngest son, who I can assure you is nothing like the creepy (murderous?) children in the novel.
The first reviews of the novel are starting to appear online, too. Starburst said there’s ‘a dash of John Wyndham and a soupcon of The Wicker Man in the richly-atmospheric latest novel from Tim Major’, and To the Ends of the Word blog concluded that ‘you should definitely check out this novel if your idea of horror is the psychological type, where the eeriness creeps upon you slowly but surely.’
HOPE ISLAND is out today (5th May) in the US, and 8th June in the UK, published by Titan Books. More details here.
Here’s a new way for bloggers, reviewers, librarians and booksellers to read HOPE ISLAND ahead of publication – Titan Books is now on NetGalley! Click here for all the details if you fit the bill.
HOPE ISLAND is described as:
A gripping supernatural mystery for fans of John Wyndham’s The Midwich Cuckoos from the author of Snakeskins. Workaholic Nina Scaife is determined to fight for what remains of her family after her partner walks out on her. Relocating to the beautiful but isolated Hope Island is not the fix she had hoped for. Struggling to reconnect with her daughter, the island’s strange silent children begin to lure her away. And then Nina finds the dead body.
By the way, like some other Titan titles, HOPE ISLAND will now have a staggered publication: 5th May in the USA, 8th June in the UK.
It’s not just my novel available – there are five titles in Titan’s initial batch of releases. I’ve been lucky enough to have read two of the books already (as well as the one I wrote, obv). I described EDEN by Tim Lebbon as ‘visceral, cinematic and utterly wild’ and A COSMOLOGY OF MONSTERS by Shaun Hamill as ‘a staggeringly good debut novel, by turns warm and terrifying, tender and devastating’. And while I haven’t read James Brogden’s BONE HARVEST yet, his earlier novels HEKLA’S CHILDREN and THE PLAGUE STONES are some of my favourite recent horror novels. And DESCENDANT OF THE CRANE by Joan He sounds truly awesome too!
I hope you’re all managing in these strangest of times. After the first two weeks of lockdown and homeschooling, my brain’s starting to come alive again, little by little, by which I mean I’m writing again.
I’ll have updates about my next novel, Hope Island, very soon – but for now here’s a turning-back of the clocks by almost a year, to my last novel, Snakeskins. The article below was originally intended to feature in BSFA Focus, but after a mix-up it’s now without a home, so I thought I’d put it up here. It’s an overview of the writing and route to publication, which may be of most interest to upcoming writers.
Beginnings and false starts
In July 2015 I noted the following idea in a Word document:
Instead of the body’s cells gradually being replaced every 7–10 years, it all happens in an instant. This produces a ‘snakeskin’ version of yourself that is able to live independently, for a time. Somebody living a full life might produce eight Snakeskins, each of which continue to live for a short period after being ‘discarded’.
It sounded a rich idea, and even had a title built in. I began writing a story about a teenage girl experiencing her first ‘shedding’, roughly coinciding with her entry to adulthood. The result was… all right. I liked the depiction of the shedding ceremony well enough, but the aftermath felt too brief, constrained by the short story format. I had concentrated on this aspect: Perhaps Snakeskins tend not to be inhibited because they know they have limited time to live. Are they therefore more effective people? But this seemed only one possible repercussion, and more occurred to me over the following days. I wrote this list – the first item no doubt informed by the fact that I was considering quitting my job at the time:
Pros of Snakeskins:
- You might be able to convince your Snakeskin to do your day job for you
- Someone to confide in, who understands you entirely
- Sheddings represent important milestones in life, especially the first one
- Can’t necessarily control or even relate to your Snakeskin
- Unwanted responsibility for someone else
- Interruption to normal life
- Desperately sad – like caring for someone with terminal illness
The short story had been vague about the world in which the characters existed. I began to wonder about aspects that might affect wider society. Had people always produced Snakeskins? Did everyone produce them? Did the process have some scientific basis, or was it essentially magic? How would Snakeskins expire – an ordinary death, or something stranger?
My next novel, HOPE ISLAND, has a cover! Once again, it’s by the wonderful Julia Lloyd, who also designed the SNAKESKINS cover.
The novel features a remote island, creepy children, ethereal cave songs and, after a fairly quiet start, quite a lot of dead bodies.
HOPE ISLAND will be published by Titan Books in the UK and USA in May 2020.
I figured that the review cycle for SNAKESKINS was probably at an end, but it seems I was wrong. Last week the novel was reviewed in the Sun newspaper, of all places, and very favourably too! Take a look at the (slightly grainy, sorry) scan =>
Not only that, but following the Financial Times review of the novel at the end of May, the same newspaper has now selected SNAKESKINS as one of its best books of the summer! It’s only one of four SF titles selected, alongside Arwen Elys Dayton’s Stronger, Faster and More Beautiful, MG Wheaton’s Emily Eternal and Tade Thompson’s The Rosewater Insurrection. It includes only a short summary of the book, but featuring on this list, with those authors, is something that makes me feel enormously proud.
A sobering, startling satire set in an alternate UK where a privileged few live lives that are longer and healthier than most by means of generating clones of themselves — “Skins” — which instantly disintegrate. When Caitlin Hext’s Skin doesn’t die as planned, terrible truths about her world come slithering into the light.
You can see the growing list of reviews for SNAKESKINS, and read blog posts and listen to the book soundtrack etc, here.
This is a cheering end to publication month… SNAKESKINS has been reviewed by James Lovegrove for the Financial Times, and he seems to have enjoyed it very much! Here’s the final paragraph of the review:
“Tim Major masterfully weaves his plot strands together, studding Snakeskins with images of duality and metamorphosis to create a dark and compelling vision of corruption and conspiracy with a subtly satirical edge.”
You can read the full review online here.
Update: It was also published in the FT Weekend edition on 1st June! Click the image to enlarge.
SNAKESKINS, my novel about a group of people who produce spontaneous clones, was published by Titan Books on 7th May. That seems a long time ago now! Today marks the end of an intense and intensely fascinating period – a fortnight-long marketing blitz which involved huge numbers of book bloggers and Instagrammers posting information, snippets, Q&As, giveaways and responses to the book. It’s been unlike anything I’ve experienced in the past. As I noted in my previous blog post, it took me a while (that is, all of launch day, which I frittered refreshing webpages obsessively) to understand that this process didn’t directly involve me – though of course I’d generated interview responses and blog posts etc before the event.
As I’d hoped, week two has been markedly more casual and enjoyable. As well as my easing up on the F5 key, this was also the week in which a greater number of reviews began to filter through – culminating with the new issue of Interzone popping through my letterbox yesterday. The Interzone review is very positive and I’ve been buzzing ever since I read it. The fact that the reviewer is so enthusiastic about the novel is incredible (‘unflinching characterisation and at times deadly prose’ … ‘he’s set the bar high if he’s going to top this’), but just as incredible is the fact that Interzone contains a full-page review of my novel at all. When I first started writing fiction in 2013, my stated ambition was to receive a rejection slip from Interzone. Seriously, a rejection slip, rather than publication, because it would signal that I was giving this writing thing a real shot. I was delighted with that rejection slip. Then the next year my first story was accepted for Interzone – my first big sale, and the moment when I felt like I might have something to offer as a writer. To have graduated to a full-page review of my new novel feels equally as significant a milestone.
So, that was a big moment. What else? I was tipped off that a full-page ad for the book appeared on the back cover of Locus magazine (the US genre trade mag), which is pretty ace (thank you, Titan!). But while I wait for more reactions from readers and reviewers, the main activity has been updates on various book blogs. On top of the interviews and guest posts I mentioned last week, these pieces were published this week:
- Extract: Caitlin Hext’s shedding, hosted by Civilian Reader
- Extract: The museum of automata, hosted by The DreamCage
- Guest post: The Long Shadow of the Triffids, Angel Wings and Petticoats
- Interview (identity, Brexit, plotting and weird fiction), The Frumious Consortium
- Interview (influences, character quirks, upcoming projects), MyLifeMyBooksMyEscape
- Guest post: Top 10 doubles in film, Rising Shadow
- Extract: Celebrity Snakeskins, hosted by SciFiChick
Oh, and I recorded my first radio interview! If you’re in the Manchester area you can listen to me talk at length to Hannah Kate on her show, Hannah’s Bookshelf (Saturday 18th May, 2–4pm). After the broadcast I’ll share links to listen online. I thoroughly enjoyed the conversation, but I’ll be wincing in embarrassment when I listen to the show, no doubt.
And there have been more reviews. Here are just a few:
“Snakeskins has so much more in it than you might first imagine. It’s packed full of slowly revealed alternate history, it has mystery that unfolds at a great pace, and characters who aren’t superheroes but real people with believable motivations and personal stories. I read Snakeskins in one day because I couldn’t put it down, but the story, the world, and those who inhabit it will stay with me much, much longer.” Set the Tape
“Snakeskins is an excellently crafted and often horrifying look at identity and what it means to be human. … A keen look at human nature and the workings of a corrupt government” Pythia Reads
“I really went into this one not knowing what to expect, and ended up devouring it in two days! It’s fast-paced, the characters are well developed, it’s weird, and it’s totally British … I think folks who are into things like The X-Files or Orphan Black would love this!” Grimdark Dad
“This is an intriguing SciFi conspiracy novel which, as with all good SciFi, uses high concept ideas to explore prescient issues about our society’s treatment of people, and it’s bloody good too.” The Hebridean Reader
There are a lot more reviews besides those – I’m doing my best to collect them all on the dedicated SNAKESKINS page.
On top of this, I’ve been keeping an eye (okay, checking twice a day) on the Goodreads page for the book. It’s looking okay, I think! As of today there are 20 ratings, with a mean average of exactly 4 stars. If you do read the novel, I’d be grateful if you could post an honest review on Goodreads and, even better, Amazon. I’m told that amazing things happen if you get to 50 reviews, and I daren’t even imagine what that might be.
So, in short, all still going well. I suspect I’ll feel slightly adrift next week, without the tangible evidence of book blog updates. I’ve have to keep reminding myself that I have proof that people are reading the book right now, because that’s what this is all about, isn’t it?
Well… It’s been a dizzying week. SNAKESKINS was published on Tuesday! It’s in hundreds of bookshops in the UK and the USA – I have photographic evidence! It’s being read right now! People seem to like it!
If I’m honest, I didn’t much enjoy publication day itself. My jittery anxiety translated into me checking my phone every 10 minutes for updates (and there were updates, every time). Wednesday was a bit better. By Thursday I was in the groove.
Because all that goodwill I mentioned a few days ago? It seems that it wasn’t just talk. To begin with, people are buying the book. They’re walking into bookshops or adding it to their Amazon cart. Phew. Furthermore, people who’ve read it seem to have genuinely enjoyed the experience. Whether all of this leads to more sales and more readers, I have no idea, and it’s out of my control. But things are still going as well as I could possibly hope. I keep trying to take snapshots of the current state of things, and the snapshots keep encouraging me.
The most visible evidence that the book is real and out there is the social media promotional tour going on right now. I’m a newbie to Instagram, but there seems a lot of traffic surrounding the book, ably orchestrated by the Titan marketing team, who are amazing. Part of learning to go with the flow this week has been making a decision that the Instagram activity doesn’t need to involve me, and perhaps is better off for me watching but not participating – as mixed in with the Q&As, giveaways and terrific photos are reviews and comments. I’m applying the age-old author rule of not responding to reviews, even when they’re positive. (But do you know what? They really are positive reviews, hooray!) If you follow #snakeskinstour or #titanbooks, you’ll see what’s cooking. The photos alone warm my heart.
Book blogs are more my comfort zone, and there’s a lot of blog activity too. Here are some handy links to everything that’s been published so far on this two-week social media blitz:
- Guest post: A Snakeskins book soundtrack – including a Spotify playlist to accompany the novel, Bibliosanctum
- Book giveaway, Alice R Dempsey
- Q&A (writing habits, advice and current projects), More2Read
- Excerpt: the first shedding ceremony, Beauty in Ruins
- Guest post: Interview between Tim Major and his Snakeskin clone, Lina’s Reviews
- Book giveaway, Where There’s Ink There’s Paper
- Interview (influences, character quirks, upcoming projects), MyLifeMyBooksMyEscape
- Guest post: Snakeskins and starting points, Folded Paper Foxes
And there’s lots more to come!
“A heart stopping & thought provoking read, which will make you question how you would see your own identity in those circumstances & challenge your perceptions of acceptance.” (5 stars) Paperbacks and Pinot
“I read a lot of YA, yet this adult SF novel is by far one of the most convincing portrayals of burgeoning maturity I’ve ever read. … It’s a remarkably thoughtful consideration of identity and humanity, as the best sci-fi thrillers invariably are.” The Frumious Consortium
“…bizarre, and deeply resonant … glimpses of Adrian Barnes and Atwood at her very weirdest … Somehow otherworldly and yet so incredibly human, politically relevant but also touching on universal themes of identity and mortality, Snakeskins is a novel I will be thinking about for a very long time.” Folded Paper Foxes
“It’s an unusual setup for an intricate political thriller that coils in on itself, tightening the tension as it circles toward satisfyingly shocking answers.” Barnes & Noble blog
So… I’m more than happy with the ways things are going. Here’s to lots more anxiety and (hopefully) more pleasant surprises next week, as more reviews come in. I’m doing my best to collect articles and reviews on the dedicated SNAKESKINS page. Or you could just skip all that and buy a copy? Just saying.
SNAKESKINS is published today! This is my grateful and baffled and happy and anxious face.
Thanks to everyone who’s bought a copy already or shared promos or just been generally supportive, to the authors who provided blurbs, to Titan editorial and marketing, to Rose. I’ve no idea how it’ll pan out from here on in, but the book has had the best possible start in life. Thank you!
The day is almost upon us… SNAKESKINS will be published in the UK and US tomorrow!
To mark the occasion there will be a ten-day book blog tour, starting today – two blogs every day. I know, crazy!
First up today is my guest blog post at Bibliosanctum, about a SNAKESKINS soundtrack to an imagined adaptation. It includes doubles, identity issues, an isolated Britain thirty years behind ours. There are full explanations of each track choice in the article, and the soundtrack’s intended to work as a primer to the book too – no spoilers, I promise!
Finally, one of the book blog reviews went live already, on Paperbacks and Pinot, who said that ‘Snakeskins is a heart stopping and thought provoking read, which will make you question how you would see your own identity in those circumstances and challenge your perceptions of acceptance.’
In exactly one week, my novel SNAKESKINS will be published. That’s a good thing! And yet I’m feeling… I don’t know. Mixed. Mixed is how I’m feeling.
Here’s the thing. I’ve really enjoyed the long lead-up to publication of this novel. I sold it to Titan Books (…checks calendar…) eleven months ago. I wrote a bunch of additional material in September, signed off on the copyedit in October, received final proofs in January. Since that point the book has been complete, simply waiting to become a real object. I held an ARC copy in my hands in February, then a copy of the real actual book earlier in mid-April.
But even now, with hundreds of actual, tangible copies of the novel having been printed in two continents, the book remains unreal. In one week, on 7th May, the novel will be available to purchase in the UK and the USA. And I’m not ready for it.
This whole long period has been characterised by positivity. SNAKESKINS secured me a two-book deal and an agent. The ARCs were sent to authors I admire a huge amount, who not only read the book, they provided the most incredible blurbs. At various events, friends and friends-of-friends have wholeheartedly wished SNAKESKINS all the success in the world. The goodwill I’ve been receiving has been overwhelming.
I’m not saying that this goodwill is an illusion, or that it’ll evaporate in a week’s time. But I appreciate that all this goodwill is just that – a pleasant wish. In many ways, I’d prefer to stay in this period of daydreams and potential rather than face the hard reality of reviews and sales figures.
I can’t help myself from trying to read the tea leaves about how this is all going to pan out. There’s not a huge amount to go on, and I’m only slightly ashamed to confess that recently I’ve been googling the phrase ‘Tim Major Snakeskins review’ at the beginning and end of every day. But each of these tea leaves* gives me a Good Feeling:
Tea leaf 1: Titan Books are in a fantastic place right now. Within just the last couple of months they’ve published M.T. Hill’s deliriously inventive ZERO BOMB and Helen Marshall’s THE MIGRATION, which is as close to perfect as you could reasonably expect. I’m just about to dive into David Quantick’s ALL MY COLORS, which from the blurb sounds so much my thing that I’m cross that I haven’t written it myself. James Brogden’s THE PLAGUE STONES is out in a couple of weeks and Aliya Whiteley’s SKEIN ISLAND will follow soon. I can’t tell you how happy I am to be in the company of such writers.
Tea leaf 2: The guys at Titan, and my agent, are friendly and not really scary at all. Seriously, they’re lovely. Considering they’re THE GATEKEEPERS to this industry, they’re doing kind of a crappy job of being fierce and forbidding. I had lunch with Cat and George from Titan a couple of weeks ago and we talked about books and films and Art Garfunkel and it was as if they were just interesting normal people, which obviously is madness.
Tea leaf 3: The Titan marketing team are clearly incredible at their jobs. There’s going to be a book blog tour, beginning the day before publication! And over the last few days SNAKESKINS has been popping up in the feeds of Instagram book bloggers. Each sighting of Julia Lloyd’s incredible cover gives my heart a little sharp prod.
Tea leaf 4: THAT COVER. When I visited the Titan office I met Julia Lloyd, the seriously talented cover designer, and I swear I thanked her seven times. It was only back when I was shown the cover that I first allowed myself to believe that a bookshop customer might actually pick up my book and buy it, and they totally should because even the spine is awesome and it’ll look really good on their shelf. Also: a great use of spot varnish.
Tea leaf 5: THOSE BLURBS. I’ve bumped into a couple of the authors since they provided blurbs, and I looked deep into their eyes, Larry David-style, and still they swore that they liked the novel.
Tea leaf 6: There have been a couple of early reviews, and they’re good! Booklist called it a ‘taut and fast-paced sf thriller’ and Publishers Weekly used phrases like ‘delightfully tense’ and ‘uncanny tale’ and ‘strong voice’. There are currently three Goodreads reviews (book bloggers, I presume), with one of them giving it 5 stars. I’m prepared for the bad reviews, really I am, and in the past I’ve rarely disagreed with criticisms and not felt too badly stung. But good reviews are good.
Anyway. This time next week the book will be out in the world, and either it’ll be liked or it won’t, and either it’ll sell well or it won’t. I’ve already delivered my second novel to Titan (it’s unconnected to SNAKESKINS), I’ve more or less completed a novella and I’m planning a bigger, weirder novel. My only ambition thus far has been to be allowed to keep writing, and to spend more time writing, by making it a legitimate part of a cobbled-together career. I’m writing more than I ever have before, so I’m winning on that score.
It’s only right to acknowledge that I do have a fair amount at stake. SNAKESKINS isn’t my first novel but I feel wholehearted about it. If it crashes and burns, it’ll hurt.
So all of this is why I’m trying to pay full attention to this moment, when there’s only potential, when I feel able to introduce myself to people as a writer and feel halfway convinced that that might actually be my valid identity, when I’m swimming in goodwill, when at times I’m able to imagine that this whole thing might actually turn out well.
It seemed important to write this blog post to capture a snapshot of a particular moment. I promise to provide an update from the other side. Wish me luck?
* Clearly, I have no idea how tea leaves are supposed to be read.
Good grief. Here are the quotes that have been provided for SNAKESKINS by some of my favourite writers. Honestly, I feel a little faint. I’m very, very grateful for this support.
“Startling imagery, deft storytelling, and assured and engaging writing make Snakeskins simply unmissable.”
“John Wyndham meets Black Mirror in Tim Major’s scintillating novel, a parallel world thriller, which takes as its themes duplicity, paranoia and what it truly means to be human. Snakeskins wrapped its coils around me and wouldn’t let go.”
“A premise worthy of Wyndham becomes a twisty political SF thriller in the hands of Major. Snakeskins is full of action and surprise, keeping me reading, but the real hook lies in the rich seam of humanity within.”
“Another great page-turner from Tim Major! We follow Caitlin, a teenage girl, whose ability to produce ‘snakeskin’ clones causes emotional ripples that spread more widely than she’d ever anticipated. It’s a gripping and thought-provoking tale, with Major exploring the wider implications of cloning and extended life-spans in the growth of a corrupt new government which has consequences for all.”
“The world-building is subtle and convincing, a plausible alternate UK where isolationist foreign policy has retarded the country’s technological and economic progress. A cautionary tale for our times.”
“Whether as page-turning thriller, coming of age story, or timely satire on a broken Britain, Snakeskins is a delight.”
“Tim Major has a talent for combining big ideas to create something exciting. With Snakeskins he gives us a SF thriller brimming with questions about identity.”
Here’s a page with more information about SNAKESKINS, and preorder links. It’ll be out on 7th May – not long now!
Everyone, look! SNAKESKINS, my first novel for Titan Books, has a(n incredible) cover… It was created by the amazing Julia Lloyd, the book will be released in May 2019, and I am very very excited. See this Barnes & Noble blog post for a little more information about the announcement.
I’ve been writing stories and novels since 2011. Before that point, I liked the idea of writing but put down barely any words – the classic error of waiting for ‘inspiration’. I was an idiot back then.
So now it’s seven years later. I guess that’s quite a long time – my wife and I had two kids during that time. We moved house twice and moved town once. I got a promotion, then quit my editorial day job to go freelance. But on the other hand, it’s not that long. I’m trying to focus on achievements here, so let’s say it isn’t that long at all.
I’ve stuck with writing. I didn’t know I was a sticker, but it turns out I am. Happily, it turns out that writing is what I love doing. (And editing too; it would be tough to get very far with all this if editing was entirely a chore.) Another thing in my favour is that I’ve never seen rejection particularly as a critique. My first aim when I started writing was to submit a story to Interzone—not to get published, you understand, only to have put in enough work to allow me to send the story without feeling ashamed of myself. Receiving that first rejection slip was a triumphant moment: here I am, doing this whole writer thing!
Anyway. Seven years. In that time I have written:
- six novels
- two novellas
- thirty-seven short stories
- one non-fiction book
This all adds up to around 840,000 words—i.e. around 120,000 words per year (plus editing).
Of the novels, one has been published and two are due to be published within the next year. The two first novels were honestly never intended for publication (they were NaNoWriMo-style exercises when I was learning how to go about the whole business) and the last-but-one novel has been shelved, perhaps never to be published. Both novellas have been published. Twenty-nine of the short stories have been published or have been bought, and three of the remaining eight stories will appear in my first short story collection next year. The non-fiction book will be published within the next few weeks.
That’s good, I think. I’m very bad at telling myself that. It’s good.
But 2018 has been really good. Like most people, I tend to move goalposts, so that any ambition fulfilled becomes just the first step to the next thing. I’m writing this blog post so that I can appreciate that things are happening that I should stop and maybe marvel at.
- My story, ‘The Walls of Tithonium Chasma’, was selected for Best of British Science Fiction 2017. The story was first published in Shoreline of Infinity in March 2017, but I wrote a first version of the story four years before then. It was the first thing I wrote that I really loved – but magazine editors didn’t agree. I tinkered, resubmitted, tinkered, resubmitted. I’m delighted that it’s ended up doing well.
- Ellen Datlow selected my story, ‘Eqalussuaq’, for The Best Horror of the Year Volume Ten. I was stunned when I received the email (pretty much literally: dizzy and bumping into things). This was another story that had had a rough ride. I wrote a version in late 2014, then reworked it entirely for a themed anthology, but then the Kickstarter didn’t work out… It was published in Not One of Us in October 2017, which is where Ellen Datlow spotted it. I look at the contents page of Best Horror Volume Ten and I see my name there, and it still doesn’t seem real.
- I got an agent: Alexander Cochran at C+W. More than anything, getting representation was my big hope for this year. But it was my big hope for last year and the year before that. And now I have an agent, and d’you know what? He’s a really decent guy, and we went for lunch and it was terrific. I’m really excited that my future projects will be planned and plotted with Alexander. I think we’re going to be a good team.
- Titan Books offered to publish my SF novel, SNAKESKINS. I’m thrilled. I honestly can’t imagine a better home for the book, and already it’s a pleasure working with editor Gary Budden and publicist Lydia Gittins.
- Other things, too. My second Interzone acceptance. Three new stories published, with five others lined up. My first invitation to write a story for an anthology. Invitations to write articles for three non-fiction books.
Then there’s that warm feeling of having book publications lined up. Over the last month I’ve been checking onscreen proofs of three books: a monograph about the silent crime film LES VAMPIRES for Electric Dreamhouse Press; my first YA novel, MACHINERIES OF MERCY, for ChiZine; my first short story collection, AND THE HOUSE LIGHTS DIM, for Luna Press. And edits on SNAKESKINS, steady work on the next novel, and plans for the thing after that.
I’ve been working hard. I haven’t finished what I think of as my writing apprenticeship and I hope I never do, but I’m busier than ever. More importantly, I’m busy doing what I love doing.
I’m very bad at recognising where I’m at. I announce stuff when it needs announcing, but beyond that I struggle to know how to talk about it all. I don’t think I’m likely to get better at that any time soon… but this blog post—self-indulgent as it is—is an attempt to face up to the fact that I’m very happy with everything that’s happening. A lot has gone on, and yet it still feels like the start of something.
[Oh, that image at the top of this post? That’s a chart generated by my writing tracker spreadsheet. It shows the accumulating number of words of all my long projects since around March 2013. The steeper the slope, the more concentrated the work. The gaps represent phases of writing short stories or having children.]
So… here’s something I’ve been keeping under my hat for a while:
I’m very pleased to announce that my SF novel SNAKESKINS will be published by Titan Books in spring 2019. Huge thanks to Gary Budden at Titan for picking it up.
Also, a related development: I’m now represented by Alexander Cochran at C+W literary agency.
Here’s a blurb:
Caitlin Hext’s first shedding ceremony is imminent, but she’s far from prepared to produce a Snakeskin clone. When her Skin fails to turn to dust as expected, she must decide whether she wishes the newcomer alive or dead.
Worse still, it transpires that the Hext family may be of central importance to the survival of Charmers, a group of people with the inexplicable power to produce duplicates every seven years and, in the process, rejuvenate. In parallel with reporter Gerry Chafik and government aide Russell Handler, Caitlin must prevent the Great British Prosperity Party from establishing a corrupt new world order.
SNAKESKINS is an SF thriller examining the repercussions of rejuvenation and cloning on individuals’ sense of identity and on wider society, with the tone of classic John Wyndham stories and the multi-strand storytelling style of modern TV series such as Channel 4’s Humans.