Tag Archives: Shoreline of Infinity

My writing year 2018

This year I wrote about 135,000 new words – more than any other previous year (I usually average around 125k, and in 2017 this fell to fewer than 80k as much of my free time was taken up with moving house, twice). I wrote:

  • Hope Island – novel, in progress (currently 85,000 words)
  • ‘Red Sky At Morning’ – weird short story (2800 words)
  • ‘Throw Caution’ – Mars SF short story (3000 words), published in Interzone #276
  • ‘What Can You Do About A Man Like That?’ – weird short story (8600 words) for unannounced anthology
  • ‘Concerning the Deprivation of Sleep’ – SF short story (2800 words)
  • ‘Dear Will’ – weird short story (2900 words)
  • Three pieces of non-fiction for as-yet unannounced projects, by invitation

This year, I spent 254 hours either writing or editing. I’m not sure if that sounds a lot, but on average it works out as 21 hours per month doing what I love doing – not quite 5 hours per week. When you put it like that, it doesn’t seem like much at all. In 2019 I’m determined that I’ll find the time to write for at least 10 hours per week.

When I wrote my summary of my writing year 2017, I noted that it had been a year of paving the way for an interesting 2018, and I suppose that panned out as I’d hoped. This year I had the following published:

  • Les Vampires – non-fiction book about the 1915 serial, as part of the Midnight Movie Monographs series (Electric Dreamhouse Press)
  • Machineries of Mercy – YA SF novel (ChiZine)
  • ‘The Pale Shadow and the Conjuror’ – mystery short story, Mystery Weekly
  • ‘To Ashes, Dust’ – Mars SF short story, Theaker’s Quarterly Fiction #61
  • ‘Throw Caution’ – Interzone #276
  • ‘Cast in the Same Mould’ – Shoreline of Infinity Issue 13
  • Six of my older stories were reprinted, including two stories in ‘best of 2017’ collections: ‘The Walls of Tithonium Chasma’ in Best of British Science Fiction (NewCon Press) and ‘Eqalussuaq’ in The Best Horror of the Year Vol 10, edited by Ellen Datlow (Night Shade Books).

But, once again, this year has mainly felt like prep for a more exciting next year. Because the biggest news for me this year was the double-whammy of signing with Alexander Cochran at C+W literary agency, and securing a two-book deal with Titan Books. Snakeskins will be published by Titan in May 2019, a milestone around which much of my year will be arranged. (And Hope Island will follow in May 2020. Knowing that my novel-in-progress already has a home has changed my attitude to the writing process, though it’s hard to say whether the net result is that it’s more or less pressurised.)

Secondly, my first short story collection, And the House Lights Dim, will be published in July 2019 by Luna Press. Alongside 13 stories that have previously appeared elsewhere (including a novelette that was originally published as a standalone title, Carus & Mitch), there will be three new stories:

  • ‘O Cul-de-Sac!’ (10,600 words)
  • ‘The Forge’ (7000 words)
  • ‘Honey spurge: Confidential report into dispersal, growth and catastrophe’ (300 words)

Other stories not written this year but to be published for the first time in 2019 include:

  • ‘The Bath House’ – weird short story (4000 words), Twice-Told: A Collection of Doubles anthology edited by C.M. Muller
  • ‘A Crest of a Wave’ – Mars SF short story (2400 words), Shoreline of Infinity
  • ‘Kraken Mare’ – Mars SF flash (250 words), Martian magazine
  • ‘Hangers-on’ – weird short story (2800 words) for unannounced anthology
  • ‘What Are We Going To Do With You?’ – horror short story (6000 words) for unannounced anthology

In addition, behind the scenes I’ve been lining up various events and projects. Next year is going to be busy. More on all that in the New Year.

Perhaps most importantly of all, I’m genuinely closing in on the one-million-new-words mark:

My writing year 2017

It’s been an intense year. My family and I moved house twice (from Oxford to a rental house in York in January, then to a house we bought in York in June), the first move being when my youngest son was only six months old. Sleep has been hard to come by and work has been sporadic – not that it’s been hard to get, just difficult to schedule given that my wife and I now share childcare duties right down the middle.

On the plus side, my day job has been hewing closer and closer to my ‘hobby’: much of my freelance work this year has involved fiction editing. In October I became co-editor of the British Fantasy Society’s fiction journal, Horizons (along with Shona Kinsella), and I’m looking forward to putting together the first issue early next year.

Finding time to write has been a challenge. I’ve written fewer new words this year than in any of the previous five years – around 80,000 as opposed to the usual 120,000ish. I finished up an SF novel, which is now out on submission. Other than that, I’ve completed a handful of short stories and a novelette, but I’ve spent most time writing non-fiction and doing revisions on earlier projects.

Speaking of which, 2017 has been mostly enlivened by Things Happening With My Writing, which is a great relief given that I’ve been doing so little actual writing. I had four new short stories published, including appearances in Shoreline of Infinity and Not One of Us, as well as the first of two inclusions in Hic Dragones anthologies – all of these publications had been on my wishlist. Perhaps more significantly, having signed contracts this year, 2018 will see various projects reach fruition:

  • My first novel for young adults will be published by ChiZine, likely in October 2018. It’s about a prison for young offenders situated within a virtual world and modelled as a sleepy English village. The original Westworld film from 1973 was a big influence, as were the London riots a few years back. The first task in the new year is to decide upon a title.
  • My first non-fiction book will be published by Electric Dreamhouse Press in summer 2018 as part of the Midnight Movie Monographs series. The book is dedicated to Feuillade’s 1915 silent crime serial, Les Vampires. Along with an analysis of the film I’ve written ten pieces of weird fiction, each inspired by an episode of the serial.
  • There’ll be another fiction publication in either late 2018 or early 2019 too! I’ll have more information before too long.

There will also be more short stories published in 2018, including my first audio reading and my first sale of a mystery story – see here for a list of upcoming publications.

So, I’m not at all glum about having had a static year. In fact, I can’t wait to get started on my writing in 2018. I have a few commissioned pieces to complete at the start of the year, a novel planned out and more ideas bubbling up. But as much as all that, I’m looking forward to getting a bit more sleep, too.

Oh, one other thing. I did reach the writing milestone of passing 75% of my first million (new) words.

Two more reviews of You Don’t Belong Here (and a guest post)

I’m behind. The move to York was successful, securing broadband less so, but we’re here and I’m all operational again. Somehow, in the midst of the move I completed the final draft of my current novel, so there’s that.

Two reviews of You Don’t Belong Here have appeared online recently. The first is from Shoreline of Infinity, and is wonderfully positive throughout:

“This is not your average time-travel tale, then – well paced, with reveals all the way to the last page. For someone looking for something a little different, I’d recommend picking this up and giving it a go – and whilst this isn’t a book which invites a sequel, I’ll certainly be looking out for more of Tim Major’s work in future, especially if it brings this kind of fresh look to another sub-genre that can suffer from being a little predictable.”

The second is from Ginger Nuts of Horror. This one has me totally floored. While I’m taking this conclusion with a large pinch of salt, I’m also incredibly flattered:

You Don’t Belong Here is a novel that dares to do something different with a well-worn concept, an intelligent idea carried off with great success, in years to come when people talk about great and influential time travel novels, this is one that should be mentioned along with the greats of the genre.”

Finally, I think I neglected to blog about my guest post on The Bookish Outsider, ‘Windows into the Soul’, which is about the recurrence of houses in all of my long fiction.

“Gaining a clear mental image of a location goes a long way towards ‘finding’ a story, in the same way that pinning down the characteristics of a protagonist is vital. Moreover, characters are shaped, in part, by their surroundings. Your home isn’t just an expression of yourself. It goes the other way, too. It changes you. It makes you.”