Tag Archives: Interzone

SNAKESKINS – two weeks in the world (almost)

SNAKESKINS, my novel about a group of people who produce spontaneous clones, was published by Titan Books on 7th May. That seems a long time ago now! Today marks the end of an intense and intensely fascinating period – a fortnight-long marketing blitz which involved huge numbers of book bloggers and Instagrammers posting information, snippets, Q&As, giveaways and responses to the book. It’s been unlike anything I’ve experienced in the past. As I noted in my previous blog post, it took me a while (that is, all of launch day, which I frittered refreshing webpages obsessively) to understand that this process didn’t directly involve me – though of course I’d generated interview responses and blog posts etc before the event.

Snakeskins Interzone review May19As I’d hoped, week two has been markedly more casual and enjoyable. As well as my easing up on the F5 key, this was also the week in which a greater number of reviews began to filter through – culminating with the new issue of Interzone popping through my letterbox yesterday. The Interzone review is very positive and I’ve been buzzing ever since I read it. The fact that the reviewer is so enthusiastic about the novel is incredible (‘unflinching characterisation and at times deadly prose’ … ‘he’s set the bar high if he’s going to top this’), but just as incredible is the fact that Interzone contains a full-page review of my novel at all. When I first started writing fiction in 2013, my stated ambition was to receive a rejection slip from Interzone. Seriously, a rejection slip, rather than publication, because it would signal that I was giving this writing thing a real shot. I was delighted with that rejection slip. Then the next year my first story was accepted for Interzone – my first big sale, and the moment when I felt like I might have something to offer as a writer. To have graduated to a full-page review of my new novel feels equally as significant a milestone.

So, that was a big moment. What else? I was tipped off that a full-page ad for the book appeared on the back cover of Locus magazine (the US genre trade mag), which is pretty ace (thank you, Titan!). But while I wait for more reactions from readers and reviewers, the main activity has been updates on various book blogs. On top of the interviews and guest posts I mentioned last week, these pieces were published this week:

Oh, and I recorded my first radio interview! If you’re in the Manchester area you can listen to me talk at length to Hannah Kate on her show, Hannah’s Bookshelf (Saturday 18th May, 2–4pm). After the broadcast I’ll share links to listen online. I thoroughly enjoyed the conversation, but I’ll be wincing in embarrassment when I listen to the show, no doubt.

And there have been more reviews. Here are just a few:

Snakeskins has so much more in it than you might first imagine. It’s packed full of slowly revealed alternate history, it has mystery that unfolds at a great pace, and characters who aren’t superheroes but real people with believable motivations and personal stories. I read Snakeskins in one day because I couldn’t put it down, but the story, the world, and those who inhabit it will stay with me much, much longer.” Set the Tape

“Snakeskins is an excellently crafted and often horrifying look at identity and what it means to be human. … A keen look at human nature and the workings of a corrupt government” Pythia Reads

“I really went into this one not knowing what to expect, and ended up devouring it in two days! It’s fast-paced, the characters are well developed, it’s weird, and it’s totally British … I think folks who are into things like The X-Files or Orphan Black would love this!” Grimdark Dad

“This is an intriguing SciFi conspiracy novel which, as with all good SciFi, uses high concept ideas to explore prescient issues about our society’s treatment of people, and it’s bloody good too.” The Hebridean Reader

There are a lot more reviews besides those – I’m doing my best to collect them all on the dedicated SNAKESKINS page.

On top of this, I’ve been keeping an eye (okay, checking twice a day) on the Goodreads page for the book. It’s looking okay, I think! As of today there are 20 ratings, with a mean average of exactly 4 stars. If you do read the novel, I’d be grateful if you could post an honest review on Goodreads and, even better, Amazon. I’m told that amazing things happen if you get to 50 reviews, and I daren’t even imagine what that might be.

So, in short, all still going well. I suspect I’ll feel slightly adrift next week, without the tangible evidence of book blog updates. I’ve have to keep reminding myself that I have proof that people are reading the book right now, because that’s what this is all about, isn’t it?

Best of 2018 roundup

Though I haven’t written any fiction yet in 2019, the year has got off to a good start in terms of votes of confidence in my earlier work…

I was pleased and surprised to find that my story ‘Throw Caution’ has been longlisted for the BSFA Awards. It was first published in Interzone #276 edited by Andy Cox. It’s a terrific list of nominees, with lots of writers who I now consider friends – I’m very proud to be listed alongside them.

Dev Agarwal at BSFA Vector included my books in his Best of 2018 article: “Tim Major, (who along with Shona Kinsella co-edits the British Fantasy Association’s Horizons magazine) published a young adult SF novel called Machineries of Mercy (ChiZine) and a non-fiction book that appeals to genre consumers, about the seminal 1915 silent film, Les Vampires (Electric Dreamhouse Press). In both works, and in his co-editing of Horizons, Major brings a clear and vivid sense of location and character to bear that makes his narratives — fictional and biographic — come vividly alive to the reader.”

On his Scattershot Writing blog, James Everington included ‘The House Lights Dim’ (from Dark Lane Anthology #2, Dark Lane Books) in his list of his favourite short stories read in 2018.

Finally, and now looking forward to 2019, I recently learned that my story ‘Concerning the Deprivation of Sleep’ has been picked up by editor C.M. Muller for Synth: An Anthology of Dark SF. There’s a list of my upcoming short story publications here, which includes a story in one of Muller’s other projects, Twice-Told: A Collection of Doubles, due out in February.

My writing year 2018

This year I wrote about 135,000 new words – more than any other previous year (I usually average around 125k, and in 2017 this fell to fewer than 80k as much of my free time was taken up with moving house, twice). I wrote:

  • Hope Island – novel, in progress (currently 85,000 words)
  • ‘Red Sky At Morning’ – weird short story (2800 words)
  • ‘Throw Caution’ – Mars SF short story (3000 words), published in Interzone #276
  • ‘What Can You Do About A Man Like That?’ – weird short story (8600 words) for unannounced anthology
  • ‘Concerning the Deprivation of Sleep’ – SF short story (2800 words)
  • ‘Dear Will’ – weird short story (2900 words)
  • Three pieces of non-fiction for as-yet unannounced projects, by invitation

This year, I spent 254 hours either writing or editing. I’m not sure if that sounds a lot, but on average it works out as 21 hours per month doing what I love doing – not quite 5 hours per week. When you put it like that, it doesn’t seem like much at all. In 2019 I’m determined that I’ll find the time to write for at least 10 hours per week.

When I wrote my summary of my writing year 2017, I noted that it had been a year of paving the way for an interesting 2018, and I suppose that panned out as I’d hoped. This year I had the following published:

  • Les Vampires – non-fiction book about the 1915 serial, as part of the Midnight Movie Monographs series (Electric Dreamhouse Press)
  • Machineries of Mercy – YA SF novel (ChiZine)
  • ‘The Pale Shadow and the Conjuror’ – mystery short story, Mystery Weekly
  • ‘To Ashes, Dust’ – Mars SF short story, Theaker’s Quarterly Fiction #61
  • ‘Throw Caution’ – Interzone #276
  • ‘Cast in the Same Mould’ – Shoreline of Infinity Issue 13
  • Six of my older stories were reprinted, including two stories in ‘best of 2017’ collections: ‘The Walls of Tithonium Chasma’ in Best of British Science Fiction (NewCon Press) and ‘Eqalussuaq’ in The Best Horror of the Year Vol 10, edited by Ellen Datlow (Night Shade Books).

But, once again, this year has mainly felt like prep for a more exciting next year. Because the biggest news for me this year was the double-whammy of signing with Alexander Cochran at C+W literary agency, and securing a two-book deal with Titan Books. Snakeskins will be published by Titan in May 2019, a milestone around which much of my year will be arranged. (And Hope Island will follow in May 2020. Knowing that my novel-in-progress already has a home has changed my attitude to the writing process, though it’s hard to say whether the net result is that it’s more or less pressurised.)

Secondly, my first short story collection, And the House Lights Dim, will be published in July 2019 by Luna Press. Alongside 13 stories that have previously appeared elsewhere (including a novelette that was originally published as a standalone title, Carus & Mitch), there will be three new stories:

  • ‘O Cul-de-Sac!’ (10,600 words)
  • ‘The Forge’ (7000 words)
  • ‘Honey spurge: Confidential report into dispersal, growth and catastrophe’ (300 words)

Other stories not written this year but to be published for the first time in 2019 include:

  • ‘The Bath House’ – weird short story (4000 words), Twice-Told: A Collection of Doubles anthology edited by C.M. Muller
  • ‘A Crest of a Wave’ – Mars SF short story (2400 words), Shoreline of Infinity
  • ‘Kraken Mare’ – Mars SF flash (250 words), Martian magazine
  • ‘Hangers-on’ – weird short story (2800 words) for unannounced anthology
  • ‘What Are We Going To Do With You?’ – horror short story (6000 words) for unannounced anthology

In addition, behind the scenes I’ve been lining up various events and projects. Next year is going to be busy. More on all that in the New Year.

Perhaps most importantly of all, I’m genuinely closing in on the one-million-new-words mark:

My writing in 2014

Novels written in 2014

  • The House-sitter (74,000 words) – SF time-travel mystery

Short stories written in 2014

  • A Crest of a Wave (2300 words) – SF, Mars
  • Like Clockwork (3000 words) – SF, Mars
  • Cast In The Same Mould (4200 words) – SF, Mars
  • Finding Waltzer-Three (1400 words) – SF
  • An Empty Vessel (3000 words) – horror
  • What Are We Going To Do With You? (5900 words) – YA horror

Flash fiction written in 2014

  • For a Tooth (850 words) – humorous SF
  • Kraken Mare (250 words) – SF
  • Corvus Cornix (250 words) – horror
  • All I Can See Are Sad Eyes (850 words) – horror

Fiction sales in 2014

I wrote about 124,000 (new) words in 2014. That’s less than last year, but that figure doesn’t reflect the huge amount of time editing and reworking ‘The House-sitter’. Also, I’ve often been exhausted due to my son’s sleep patterns, so this is still a higher word count than I’d anticipated.

To date, my fiction word count total is now something in the region of 448,000 words. I’d hope to reach the half-million mark at some point in early 2015.

First million words ometer 45

‘Finding Waltzer-Three’ Interzone illustration

The Interzone team have revealed the illustration for my story, ‘Finding Waltzer-Three’, which appears in issue 255. It’s by Wayne Haag, the same artist who created the terrific cover.

747_largeI love it. It’s the first time that any of my stories has been illustrated. I couldn’t be prouder.

17 Nov 2014 update: And Interzone #255 is available in print now! Click here and scroll all the way to the bottom.