Tag Archives: Dirty Beaches

Favourite tracks of 2013

Hungry Face by Mogwai – the most perfect theme imaginable to my favourite TV show of the last few years. / Casino Lisboa by Dirty Beaches – my most-listened new track of the year. I love the moment about a minute in, when the drums kick in and knock the bass riff upside-down. / New York / It’s All About… by Marina Rosenfeld – NY performance artist Rosenfeld is joined by Warrior Queen for a sparse, echoing shoutout. / Fall Back by Factory Floor – endless and hypnotic. Can’t shake the disappointment that the eventual album didn’t contain more like this. / Ludwig’s Children by Roj – a bedtime treat from the former Broadcast member’s early tape work EP, The Amateur’s Attic. / The Weighing of the Heart by Colleen – the aural equivalent of finding yourself dozing off beneath a tree on a sunny autumn day. / Major Tom by The Space Lady – recorded in 1990 and reissued on her Greatest Hits album, predates Julia Holter and Grouper with only a Casio and a winged hat. I’ve had this track on constant rotation since its release. / Low Light Buddy of Mine by Iron & Wine – Sam Beam moves even closer to a MOR sound, but this track’s an absolute earworm. / Water Park Theme – Take 2 by Dirty Beaches – the other side of Alex Zhang Hungtai’s 2013 output, as serene as ‘Casino Lisboa’ is frantic. / Brennisteinn by Sigur Ros – spluttering amps, synths and guitars, this is a tweaked sound for Sigur Ros, but the sense of bewildered glory is still present and correct. / LDWGWTT by SHXCXCHCXSH – unrelenting techno from the unpronounceable Swedish duo. / Full of Fire by The Knife – the rotten heart of Shaking the Habitual. / Breaking up the Earth by Colleen – frankly, I could include most of The Weighing of the Heart here, but I’m limiting myself to two tracks. This one’s more Arthur Russell than Grouper. / Willow by Rosy Parlane – one of a number of great Touch ambient tracks I might have included, and difficult to pinpoint what’s special about it. It just is. / Where Are We Now? by David Bowie – as wonderful as it was to have Bowie reappear out of nowhere, this track has only improved with each listen. / So Far So Clean by  Inga Copeland – a nice match with Marina Rosenfeld’s EP, the female half of Hype Williams finally strikes out on her own, hinting at excellence to come. / Waayey: The Butcher by Sidi TouréAlafia is an excellent, uplifting album. This track in particular does it for my three-month-old son. / Iyongwe by John Wizards – avoiding the Vampire Weekend-isms of the rest of the album, this track straddles genres perfectly. / Universe in Crisis by Wareika Hill Sounds – former Skatalite Calvin ‘Bubbles’ Cameron plays trombone in a fudgy, late-night haze. / Not Your Ordinary Blanket (live) by Groupshow – a track that I can only grasp onto for a few minutes before it merges into whatever daydream I’m in. / Hello Stranger by Julia Holter – a match made in heaven as Holter performs a stunning cover of Barbara Lewis’s song, one of my favourite ever pop tunes. / 10.17.2009 (for CCG) by M. Geddes Gengras – formless, pulsating, overwhelming.

Here’s a Spotify playlist containing all the tracks, just shy of 2 hours:

Favourite albums of 2013

colleen-weighing-cover

The Weighing of the Heart by Colleen

From the first hummed note of ‘Push the Boat Onto the Sand’ to the final echoing cello plucks of the title track, Cécile Schott’s latest is an exercise in swooning beauty. Lullaby-like rhymes and melodies appear and overlap, choral vocals become lost under layers of delicate rhythms. The sampling trickery is subtle and disarming, ‘Ursa Major Find’ and the single-phrase ‘Break Away’ feel at times like sweeter takes on Laurie Anderson’s ‘O Superman’. But the outstanding moments are instrumental: ‘Geometría del Universo’ and particularly ‘Breaking Up the Earth’ channel Arthur Russell’s World of Echo. Colleen succeeds at fusing the sweet and genuinely, unnervingly progressive. Each time I listen to The Weighing of the Heart I fall in love with it all over again.

 

Drifters & water park

Drifters / Love is the Devil and Water Park OST by Dirty Beaches

There’s an obscene generosity to the amount of music that Alex Zhang Hungtai has provided in 2013. The Water Park soundtrack is beguiling at first, little more than a hum heard from another room. But I’ve listened to this 28-minute EP countless times and now playing it is like hearing the sound of something remembered from childhood. It’s simple and beautiful.

The double album Drifters / Love is the Devil is another beast, at least at first. The first half represents more familiar Dirty Beaches territory – Suicide casio thumps and rockabilly-from-hell vocals swamped in reverb. This reaches a peak with the compellingly riffy Casino Lisboa, my personal song of 2013.  The second half of the CD revisits the same aural soundscapes as Water Park. Less essential, certainly, but packaging Drifters and Love is the Devil together is a throwaway gesture that most artists wouldn’t dare contemplate.

 

Dozzy

Plays Bee Mask by Donato Dozzy

Bee Mask’s Vaporware EP is pretty great. But this album, in which Italian techno producer Donato Dozzy, remixes the title track again and again over seven tracks, is outstanding. I’ve listened to a lot of ambient music this year, but there are few albums that manage to be both moodily evocative and also lodge themselves in your mind. I get the feeling that the circumstances of this piece couldn’t be replicated.

 

UR055_COVER_F

Collected Works Vol. 1 – The Moog Years by M. Geddes Gengras

More ambient perfection. Sun Araw, Akron/Family and LA Vampires collaborator Gengras fiddles about with Moog Rogue and MG-1 synths and creates something divine. The track ‘10.17.2009 (for CCG)’ is an aural swoon.

 

Other albums in the mix

Albums 2013 rack

Shaking the Habitual by The Knife, for its bloodymindedness, magnificent bloat and a handful of thumping pop hits. The entire Mallet Guitars series by Ex-Easter Island Head, culminating in this year’s Mallet Guitars Three, all EPs together forming an essential album. Exit! By Fire! Orchestra, some of the most terrific free jazz, despite being tricky to schedule into a working day. And finally, The Space Lady’s Greatest Hits, long-awaited and wonderful.

 

EPs

EPs

Live at Skymall by Groupshow –  like many of my favourite albums this year, a listen that merges with whatever activity you’re doing. P.A./Hard Love by Marina Rosenfeld, a surprising favourite given its abrasive unpredictability, but totally compelling. No More War by Wareika Hill Sounds for chilled, alien trombone tunes.

 

Favourite record labels

Thrill Jockey (new releases from Matmos, People of the North, Mouse on Mars’ Jan St. Werner, Sidi Touré). Room 40 (Bee Mask, Marina Rosenfeld), Touch (Chris Watson, Rosy Parlane, Mika Vainio, Bruce Gilbert & BAW) Hospital Productions (Vatican Shadow, Rainforest Spiritual Enslavement, Alberich).

 

Favourite albums overall, new to me, from any year

Suicide (Suicide, 1977), an album that made me furious that nobody had introduced the band to me before. Womblife (John Fahey, 1997), produced by Jim O’Rourke and featuring some of the wonkiest sounds imaginable. Moondog & His Friends (Moondog, 1953) , an eye-opening account of the Viking of Sixth Avenue. I Am Sitting in a Room (Alvin Lucier, 1981), a simple sonic experiment that morphs into something intangible and ethereal. Illuminations (Buffy Sainte-Marie, 1969), apparently abandoned by the artist but superb and alien. Strumming Music (Charlemagne Palestine, 1974), another experiment with warmth and humour. We’re Only In It For the Money (Frank Zappa & The Mothers of Invention, 1968) – batshit insane. Everybody Knows This Is Nowhere (Neil Young & Crazy Horse, 1969)  – everybody else loves this album already, evidently, and it was mostly familiar to me, but hearing the tracks together was a revelation. And, already mentioned above, The Weighing of the Heart (Colleen, 2013) and Drifters / Love is the Devil (Dirty Beaches, 2013) are the two albums that stand out this year.