Category Archives: short stories

Best of 2018 roundup

Though I haven’t written any fiction yet in 2019, the year has got off to a good start in terms of votes of confidence in my earlier work…

I was pleased and surprised to find that my story ‘Throw Caution’ has been longlisted for the BSFA Awards. It was first published in Interzone #276 edited by Andy Cox. It’s a terrific list of nominees, with lots of writers who I now consider friends – I’m very proud to be listed alongside them.

Dev Agarwal at BSFA Vector included my books in his Best of 2018 article: “Tim Major, (who along with Shona Kinsella co-edits the British Fantasy Association’s Horizons magazine) published a young adult SF novel called Machineries of Mercy (ChiZine) and a non-fiction book that appeals to genre consumers, about the seminal 1915 silent film, Les Vampires (Electric Dreamhouse Press). In both works, and in his co-editing of Horizons, Major brings a clear and vivid sense of location and character to bear that makes his narratives — fictional and biographic — come vividly alive to the reader.”

On his Scattershot Writing blog, James Everington included ‘The House Lights Dim’ (from Dark Lane Anthology #2, Dark Lane Books) in his list of his favourite short stories read in 2018.

Finally, and now looking forward to 2019, I recently learned that my story ‘Concerning the Deprivation of Sleep’ has been picked up by editor C.M. Muller for Synth: An Anthology of Dark SF. There’s a list of my upcoming short story publications here, which includes a story in one of Muller’s other projects, Twice-Told: A Collection of Doubles, due out in February.

My writing year 2018

This year I wrote about 135,000 new words – more than any other previous year (I usually average around 125k, and in 2017 this fell to fewer than 80k as much of my free time was taken up with moving house, twice). I wrote:

  • Hope Island – novel, in progress (currently 85,000 words)
  • ‘Red Sky At Morning’ – weird short story (2800 words)
  • ‘Throw Caution’ – Mars SF short story (3000 words), published in Interzone #276
  • ‘What Can You Do About A Man Like That?’ – weird short story (8600 words) for unannounced anthology
  • ‘Concerning the Deprivation of Sleep’ – SF short story (2800 words)
  • ‘Dear Will’ – weird short story (2900 words)
  • Three pieces of non-fiction for as-yet unannounced projects, by invitation

This year, I spent 254 hours either writing or editing. I’m not sure if that sounds a lot, but on average it works out as 21 hours per month doing what I love doing – not quite 5 hours per week. When you put it like that, it doesn’t seem like much at all. In 2019 I’m determined that I’ll find the time to write for at least 10 hours per week.

When I wrote my summary of my writing year 2017, I noted that it had been a year of paving the way for an interesting 2018, and I suppose that panned out as I’d hoped. This year I had the following published:

  • Les Vampires – non-fiction book about the 1915 serial, as part of the Midnight Movie Monographs series (Electric Dreamhouse Press)
  • Machineries of Mercy – YA SF novel (ChiZine)
  • ‘The Pale Shadow and the Conjuror’ – mystery short story, Mystery Weekly
  • ‘To Ashes, Dust’ – Mars SF short story, Theaker’s Quarterly Fiction #61
  • ‘Throw Caution’ – Interzone #276
  • ‘Cast in the Same Mould’ – Shoreline of Infinity Issue 13
  • Six of my older stories were reprinted, including two stories in ‘best of 2017’ collections: ‘The Walls of Tithonium Chasma’ in Best of British Science Fiction (NewCon Press) and ‘Eqalussuaq’ in The Best Horror of the Year Vol 10, edited by Ellen Datlow (Night Shade Books).

But, once again, this year has mainly felt like prep for a more exciting next year. Because the biggest news for me this year was the double-whammy of signing with Alexander Cochran at C+W literary agency, and securing a two-book deal with Titan Books. Snakeskins will be published by Titan in May 2019, a milestone around which much of my year will be arranged. (And Hope Island will follow in May 2020. Knowing that my novel-in-progress already has a home has changed my attitude to the writing process, though it’s hard to say whether the net result is that it’s more or less pressurised.)

Secondly, my first short story collection, And the House Lights Dim, will be published in July 2019 by Luna Press. Alongside 13 stories that have previously appeared elsewhere (including a novelette that was originally published as a standalone title, Carus & Mitch), there will be three new stories:

  • ‘O Cul-de-Sac!’ (10,600 words)
  • ‘The Forge’ (7000 words)
  • ‘Honey spurge: Confidential report into dispersal, growth and catastrophe’ (300 words)

Other stories not written this year but to be published for the first time in 2019 include:

  • ‘The Bath House’ – weird short story (4000 words), Twice-Told: A Collection of Doubles anthology edited by C.M. Muller
  • ‘A Crest of a Wave’ – Mars SF short story (2400 words), Shoreline of Infinity
  • ‘Kraken Mare’ – Mars SF flash (250 words), Martian magazine
  • ‘Hangers-on’ – weird short story (2800 words) for unannounced anthology
  • ‘What Are We Going To Do With You?’ – horror short story (6000 words) for unannounced anthology

In addition, behind the scenes I’ve been lining up various events and projects. Next year is going to be busy. More on all that in the New Year.

Perhaps most importantly of all, I’m genuinely closing in on the one-million-new-words mark:

The Best Horror of the Year Volume 10

My contributor’s copy of THE BEST HORROR OF THE YEAR VOLUME TEN just popped through the letterbox! Having a story included in it is a very big deal for me. I’m very grateful to Ellen Datlow for selecting my Greenland Shark story, ‘Eqalussuaq’, which was originally published in Not One of Us magazine.

You can buy BEST HORROR 10 now from Amazon in a variety of formats: paperback, ebook, audio CD and audio download.

I have a story in BEST OF BRITISH SCIENCE FICTION 2017

Well! I’m very – no, ridiculously – pleased to announce that Donna Bond has selected one of my stories for inclusion in BEST OF BRITISH SCIENCE FICTION 2017, which will be out in April from NewCon Press. And would you look at that lineup! Honestly, I’m feeling faint at seeing my name listed alongside these authors.

  1. Blinders – Tyler Keevil
  2. In the Night of the Comet (2017) – Adam Roberts
  3. The Walls of Tithonium Chasma – Tim Major
  4. 3.8 Missions – Katie Gray
  5. Over You – Jaine Fenn
  6. The Ghosts of Europa Will Keep You Trapped in a Prison You Make for Yourself – Matt Dovey
  7. Uniquo – Aliya Whiteley
  8. Looking for Laika – Laura Mauro
  9. A Good Citizen – Anne Charnock
  10. Mercury Teardrops – Jeff Noon
  11. The Nightingales in Plàtres – Natalia Theodoridou
  12. The Road to the Sea – Lavie Tidhar
  13. When I Close My Eyes – Chris Barnham
  14. Targets – Eric Brown
  15. London Calling – Philip A. Suggars
  16. The Last Word – Ken Macleod
  17. Voicemail – Karen McCreedy
  18. Green Boughs Will Cover Thee – Sarah Byrne
  19. Airless – N.J. Ramsden
  20. Product Recall – Robert Bagnall
  21. The Endling Market – E. J. Swift

Ellen Datlow picked my story for Best Horror #10

It’s with a certain amount of disbelief that I announce that Ellen Datlow has selected one of my stories, ‘Eqalussuaq’, for THE BEST HORROR OF THE YEAR VOLUME TEN, which will be published by Nightshade Books. The story was first published in Not One of Us #58 in October 201, so thanks are also due to NOoU editor John Benson.

I don’t know if writers are supposed to play it cool about this sort of thing, but I’ve overjoyed as well as overwhelmed! To give some context, here’s a blurb about the BEST HORROR series from the Nightshade website:

“It’s no exaggeration to say that since its first volume in 2009, this series has compiled the absolute best horror short fiction published each year. Every volume has featured a wide variety of stories by well-known authors, from luminaries like Neil Gaiman, Stephen King, and Richard Matheson, to genre figures as Catherynne M. Valente, John Langan, and Brian Hodge.”

The full table of contents for Volume Ten is below. I can’t tell you how happy I am that my story will appear alongside stories by so many writers whose work I love!

Better You Believe – Carole Johnstone
Liquid Air – Inna Effress
Holiday Romance – Mark Morris
Furtherest – Kaaron Warren
Where’s the Harm? – Rebecca Lloyd
Whatever Comes After Calcutta – David Erik Nelson
A Human Stain – Kelly Robson
The Stories We Tell about Ghosts – A. C. Wise
Endosketal – Sarah Read
West of Matamoros, North of Hell – Brian Hodge
Alligator Point – S. P. Miskowski
Dark Warm Heart – Rich Larson
There and Back Again – Carmen Machado
Shepherd’s Business – Stephen Gallagher
You Can Stay All Day – Mira Grant
Harvest Song, Gathering Song – A. C. Wise
The Granfalloon – Orrin Grey
Fail-Safe – Philip Fracassi
The Starry Crown – Marc E. Fitch
Eqalussuaq – Tim Major
Lost in the Dark – John Langan

And here’s the awesome cover!

Two new stories and an audio recording

I’ve been lax about mentioning publications recently. Time for a roundup.

‘To Ashes, Dust’ is one of my series of Mars stories featuring crawler bases, shifting sand dunes and ‘aye-aye’ robots. It’s been published in Theaker’s Quarterly Fiction #61, available to download for free or to buy as a print copy for just over £3. Des Lewis has reviewed the issue and had this to say about my story:

“In a relatively short space, this moving story of a base on Mars captured me, even with its bespoke names for various factors, like the robots employed, and again, with this set of fictions, a treatment of old men and death, and an amazing concept of moving sand dunes that really NEEDS reading about to be inspired as I became by it and by what the dunes can contain.”

‘The Pale Shadow and the Conjuror’ is my first sale of a mystery story – it’s been printed in Mystery Weekly.

‘For a Tooth’, a spoofy space-opera flash story first published in Every Day Fiction, has been recorded as an audio reading – you can listen to it free at 600 Second Saga.
(Or via several other routes: iTunes, Stitcher, YouTube, Facebook, Twitter)

 

 

Short story collection: AND THE HOUSE LIGHTS DIM

Luna Press have released some more details about my first collection of short stories, which will be published in 2019 as part of the ‘Harvester’ series. It’s called AND THE HOUSE LIGHTS DIM and features strange stories about houses, homes and family.

Here’s my statement about the collection in full:

AND THE HOUSE LIGHTS DIM is my first collection of short stories, which were written over a three-year period. They’re pretty diverse, spanning weird fiction, horror and SF – but I confess that when I wrote them they seemed more diverse than they really are. It was only recently that I realised just how prevalent particular themes have been in my writing: houses, homes and family.

Perhaps it’s no surprise. The earliest of the stories was written when my wife was pregnant with our first child; one of the novellas was written in a mad hurry in the weeks before his birth; nowadays I write in a fog of fatigue due to my second child’s sleepless nights. I think about family constantly and as a freelance editor I’m trapped in my home for the greater part of every day.

In this collection are stories about a sentient house overprotective of its new occupants, a supernatural Greenland shark that attacks a family via sound, a married couple alone on a lengthy space flight, two young girls who live in isolation and in fear of the world beyond their walls, a camping trip that turns a family feral, a post-apocalyptic Center Parcs, a man who has defragmented his mind and another who splices a rival’s brain patterns onto his own.

Most of the stories have been published in various places, including Interzone, Not One of Us, The Literary Hatchet and anthologies published by Fox Spirit, Jurassic London and Hic Dragones. ‘Carus & Mitch’ was previously published as a standalone novella by Omnium Gatherum and was shortlisted for a This Is Horror Award in 2015. People have been very nice about it: Lynda Rucker said it was a ‘compelling, unconventional page-turner… blending a John Wyndham-esque melancholy with a dose of existential despair’. Adam Roberts called it ‘punchy and scary and tense and genuinely moving’ and James Everington said it was ‘an intimate, original, and character-driven take on the post-apocalyptic genre’, all of which made me feel awfully proud.