My young adult SF novel, MACHINERIES OF MERCY, was first published in November 2018. It’s about young offenders trapped in a virtual-reality prison modelled after a sleepy English village. It’s creepy and fun!
It was originally published by ChiZine. In late 2019 various revelations came to light about ChiZine’s business practices, which turned out to be… well, all sorts of awful. I won’t summarise them here – you can find various accounts by googling, or start with the Writer Beware overview. While I wasn’t affected as profoundly as many other writers – just a series of very long delays between acceptance and publication – I’ve yet to receive a single royalty statement, and who knows whether that’ll happen now. It goes without saying: please don’t buy copies of this edition.
But – good news! First off, I’ve now regained rights to publication of the book. Secondly, and more importantly, I’ve signed a contract with the wonderful Luna Press, and a new edition of the novel will be published in Autumn 2020. I’ve worked with Luna Press before on my first story collection, and they’re friendly, professional and just all-round excellent.
I’ve updated the MACHINERIES OF MERCY page on this site – where you’ll also find a Spotify soundtrack to the book to act as a teaser for the new edition – and you can read my introduction to the many influences on the novel on the Luna Press blog. More info soon, including a new cover!
My next novel, HOPE ISLAND, has a cover! Once again, it’s by the wonderful Julia Lloyd, who also designed the SNAKESKINS cover.
The novel features a remote island, creepy children, ethereal cave songs and, after a fairly quiet start, quite a lot of dead bodies.
HOPE ISLAND will be published by Titan Books in the UK and USA in May 2020.
I figured that the review cycle for SNAKESKINS was probably at an end, but it seems I was wrong. Last week the novel was reviewed in the Sun newspaper, of all places, and very favourably too! Take a look at the (slightly grainy, sorry) scan =>
Not only that, but following the Financial Times review of the novel at the end of May, the same newspaper has now selected SNAKESKINS as one of its best books of the summer! It’s only one of four SF titles selected, alongside Arwen Elys Dayton’s Stronger, Faster and More Beautiful, MG Wheaton’s Emily Eternal and Tade Thompson’s The Rosewater Insurrection. It includes only a short summary of the book, but featuring on this list, with those authors, is something that makes me feel enormously proud.
A sobering, startling satire set in an alternate UK where a privileged few live lives that are longer and healthier than most by means of generating clones of themselves — “Skins” — which instantly disintegrate. When Caitlin Hext’s Skin doesn’t die as planned, terrible truths about her world come slithering into the light.
You can see the growing list of reviews for SNAKESKINS, and read blog posts and listen to the book soundtrack etc, here.
This is a cheering end to publication month… SNAKESKINS has been reviewed by James Lovegrove for the Financial Times, and he seems to have enjoyed it very much! Here’s the final paragraph of the review:
“Tim Major masterfully weaves his plot strands together, studding Snakeskins with images of duality and metamorphosis to create a dark and compelling vision of corruption and conspiracy with a subtly satirical edge.”
You can read the full review online here.
Update: It was also published in the FT Weekend edition on 1st June! Click the image to enlarge.
SNAKESKINS, my novel about a group of people who produce spontaneous clones, was published by Titan Books on 7th May. That seems a long time ago now! Today marks the end of an intense and intensely fascinating period – a fortnight-long marketing blitz which involved huge numbers of book bloggers and Instagrammers posting information, snippets, Q&As, giveaways and responses to the book. It’s been unlike anything I’ve experienced in the past. As I noted in my previous blog post, it took me a while (that is, all of launch day, which I frittered refreshing webpages obsessively) to understand that this process didn’t directly involve me – though of course I’d generated interview responses and blog posts etc before the event.
As I’d hoped, week two has been markedly more casual and enjoyable. As well as my easing up on the F5 key, this was also the week in which a greater number of reviews began to filter through – culminating with the new issue of Interzone popping through my letterbox yesterday. The Interzone review is very positive and I’ve been buzzing ever since I read it. The fact that the reviewer is so enthusiastic about the novel is incredible (‘unflinching characterisation and at times deadly prose’ … ‘he’s set the bar high if he’s going to top this’), but just as incredible is the fact that Interzone contains a full-page review of my novel at all. When I first started writing fiction in 2013, my stated ambition was to receive a rejection slip from Interzone. Seriously, a rejection slip, rather than publication, because it would signal that I was giving this writing thing a real shot. I was delighted with that rejection slip. Then the next year my first story was accepted for Interzone – my first big sale, and the moment when I felt like I might have something to offer as a writer. To have graduated to a full-page review of my new novel feels equally as significant a milestone.
So, that was a big moment. What else? I was tipped off that a full-page ad for the book appeared on the back cover of Locus magazine (the US genre trade mag), which is pretty ace (thank you, Titan!). But while I wait for more reactions from readers and reviewers, the main activity has been updates on various book blogs. On top of the interviews and guest posts I mentioned last week, these pieces were published this week:
- Extract: Caitlin Hext’s shedding, hosted by Civilian Reader
- Extract: The museum of automata, hosted by The DreamCage
- Guest post: The Long Shadow of the Triffids, Angel Wings and Petticoats
- Interview (identity, Brexit, plotting and weird fiction), The Frumious Consortium
- Interview (influences, character quirks, upcoming projects), MyLifeMyBooksMyEscape
- Guest post: Top 10 doubles in film, Rising Shadow
- Extract: Celebrity Snakeskins, hosted by SciFiChick
Oh, and I recorded my first radio interview! If you’re in the Manchester area you can listen to me talk at length to Hannah Kate on her show, Hannah’s Bookshelf (Saturday 18th May, 2–4pm). After the broadcast I’ll share links to listen online. I thoroughly enjoyed the conversation, but I’ll be wincing in embarrassment when I listen to the show, no doubt.
And there have been more reviews. Here are just a few:
“Snakeskins has so much more in it than you might first imagine. It’s packed full of slowly revealed alternate history, it has mystery that unfolds at a great pace, and characters who aren’t superheroes but real people with believable motivations and personal stories. I read Snakeskins in one day because I couldn’t put it down, but the story, the world, and those who inhabit it will stay with me much, much longer.” Set the Tape
“Snakeskins is an excellently crafted and often horrifying look at identity and what it means to be human. … A keen look at human nature and the workings of a corrupt government” Pythia Reads
“I really went into this one not knowing what to expect, and ended up devouring it in two days! It’s fast-paced, the characters are well developed, it’s weird, and it’s totally British … I think folks who are into things like The X-Files or Orphan Black would love this!” Grimdark Dad
“This is an intriguing SciFi conspiracy novel which, as with all good SciFi, uses high concept ideas to explore prescient issues about our society’s treatment of people, and it’s bloody good too.” The Hebridean Reader
There are a lot more reviews besides those – I’m doing my best to collect them all on the dedicated SNAKESKINS page.
On top of this, I’ve been keeping an eye (okay, checking twice a day) on the Goodreads page for the book. It’s looking okay, I think! As of today there are 20 ratings, with a mean average of exactly 4 stars. If you do read the novel, I’d be grateful if you could post an honest review on Goodreads and, even better, Amazon. I’m told that amazing things happen if you get to 50 reviews, and I daren’t even imagine what that might be.
So, in short, all still going well. I suspect I’ll feel slightly adrift next week, without the tangible evidence of book blog updates. I’ve have to keep reminding myself that I have proof that people are reading the book right now, because that’s what this is all about, isn’t it?