This came around fast… I’m happy to say that my first short story collection, AND THE HOUSE LIGHTS DIM, is available as of today! It’s published by Luna Press and is billed as strange stories about houses, homes and families.
Here’s something I wrote about the collection when it was first announced:
AND THE HOUSE LIGHTS DIM is my first collection of short stories, which were written over a three-year period. They’re pretty diverse, spanning weird fiction, horror and SF – but I confess that when I wrote them they seemed more diverse than they really are. It was only recently that I realised just how prevalent particular themes have been in my writing: houses, homes and family.
Perhaps it’s no surprise. The earliest of the stories was written when my wife was pregnant with our first child; one of the novellas was written in a mad hurry in the weeks before his birth; nowadays I write in a fog of fatigue due to my second child’s sleepless nights. I think about family constantly and as a freelance editor I’m trapped in my home for the greater part of every day.
In this collection are stories about a sentient house overprotective of its new occupants, a supernatural Greenland shark that attacks a family via sound, a married couple alone on a lengthy space flight, two young girls who live in isolation and in fear of the world beyond their walls, a camping trip that turns a family feral, a post-apocalyptic Center Parcs, a man who has defragmented his mind and another who splices a rival’s brain patterns onto his own.
Most of the stories have been published in various places, including Interzone, Not One of Us, The Literary Hatchet and anthologies published by Fox Spirit, Jurassic London and Hic Dragones. ‘Carus & Mitch’ was previously published as a standalone novella by Omnium Gatherum and was shortlisted for a This Is Horror Award in 2015. People have been very nice about it: Lynda Rucker said it was a ‘compelling, unconventional page-turner… blending a John Wyndham-esque melancholy with a dose of existential despair’. Adam Roberts called it ‘punchy and scary and tense and genuinely moving’ and James Everington at This is Horror said it was ‘an intimate, original, and character-driven take on the post-apocalyptic genre’, all of which made me feel awfully proud.
One thing I neglected to mention in that description are the stories that are new to the collection: O Cul-de-Sac!, The Forge and Honey Spurge. I’m particularly proud of O Cul-de-Sac!, the 10k-word story that opens the collection – though I’m also nervous on its behalf, as if I’m forcing it out into the world rather it being there on its own merits. It’s an unusual story, written once I recognised the theme of the collection – it’s narrated by a sentient house who is proud and then wary of its new occupants.
By the way, the beautiful cover image is by Daniele Serra. Do check out his incredible work.