My writing year 2018

This year I wrote about 135,000 new words – more than any other previous year (I usually average around 125k, and in 2017 this fell to fewer than 80k as much of my free time was taken up with moving house, twice). I wrote:

  • Hope Island – novel, in progress (currently 85,000 words)
  • ‘Red Sky At Morning’ – weird short story (2800 words)
  • ‘Throw Caution’ – Mars SF short story (3000 words), published in Interzone #276
  • ‘What Can You Do About A Man Like That?’ – weird short story (8600 words) for unannounced anthology
  • ‘Concerning the Deprivation of Sleep’ – SF short story (2800 words)
  • ‘Dear Will’ – weird short story (2900 words)
  • Three pieces of non-fiction for as-yet unannounced projects, by invitation

This year, I spent 254 hours either writing or editing. I’m not sure if that sounds a lot, but on average it works out as 21 hours per month doing what I love doing – not quite 5 hours per week. When you put it like that, it doesn’t seem like much at all. In 2019 I’m determined that I’ll find the time to write for at least 10 hours per week.

When I wrote my summary of my writing year 2017, I noted that it had been a year of paving the way for an interesting 2018, and I suppose that panned out as I’d hoped. This year I had the following published:

  • Les Vampires – non-fiction book about the 1915 serial, as part of the Midnight Movie Monographs series (Electric Dreamhouse Press)
  • Machineries of Mercy – YA SF novel (ChiZine)
  • ‘The Pale Shadow and the Conjuror’ – mystery short story, Mystery Weekly
  • ‘To Ashes, Dust’ – Mars SF short story, Theaker’s Quarterly Fiction #61
  • ‘Throw Caution’ – Interzone #276
  • ‘Cast in the Same Mould’ – Shoreline of Infinity Issue 13
  • Six of my older stories were reprinted, including two stories in ‘best of 2017’ collections: ‘The Walls of Tithonium Chasma’ in Best of British Science Fiction (NewCon Press) and ‘Eqalussuaq’ in The Best Horror of the Year Vol 10, edited by Ellen Datlow (Night Shade Books).

But, once again, this year has mainly felt like prep for a more exciting next year. Because the biggest news for me this year was the double-whammy of signing with Alexander Cochran at C+W literary agency, and securing a two-book deal with Titan Books. Snakeskins will be published by Titan in May 2019, a milestone around which much of my year will be arranged. (And Hope Island will follow in May 2020. Knowing that my novel-in-progress already has a home has changed my attitude to the writing process, though it’s hard to say whether the net result is that it’s more or less pressurised.)

Secondly, my first short story collection, And the House Lights Dim, will be published in July 2019 by Luna Press. Alongside 13 stories that have previously appeared elsewhere (including a novelette that was originally published as a standalone title, Carus & Mitch), there will be three new stories:

  • ‘O Cul-de-Sac!’ (10,600 words)
  • ‘The Forge’ (7000 words)
  • ‘Honey spurge: Confidential report into dispersal, growth and catastrophe’ (300 words)

Other stories not written this year but to be published for the first time in 2019 include:

  • ‘The Bath House’ – weird short story (4000 words), Twice-Told: A Collection of Doubles anthology edited by C.M. Muller
  • ‘A Crest of a Wave’ – Mars SF short story (2400 words), Shoreline of Infinity
  • ‘Kraken Mare’ – Mars SF flash (250 words), Martian magazine
  • ‘Hangers-on’ – weird short story (2800 words) for unannounced anthology
  • ‘What Are We Going To Do With You?’ – horror short story (6000 words) for unannounced anthology

In addition, behind the scenes I’ve been lining up various events and projects. Next year is going to be busy. More on all that in the New Year.

Perhaps most importantly of all, I’m genuinely closing in on the one-million-new-words mark:

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