Other than Alfonso Cuarón’s essentially perfect Gravity (see my review), the only other 2013 film I saw that was worth a damn was Stoker (Chan-wook Park), a terrific and seedily terrifying reimagining of Hitchcock’s Shadow of a Doubt.

As for the rest of my film viewing, A Warning to the Curious (Lawrence Gordon Clark, 1972) was one of the most unsettling film experiences I can remember, up there with Jerzy Skolimowski’s The Shout (1978). Night of the Demon (Jacques Tourneur, 1957) was an expected pleasure. Whether or not the demon should have been omitted, as per Tourneur’s original intentions, is moot. With or without it, this is a peculiar masterpiece. I found Persona (Ingmar Bergman, 1966) striking and shocking – pop-culture familiarity still doesn’t prepare you for the experience. Sunrise (F. W. Murnau, 1927) was another absolute surprise – far more melodramatic than I’d imagined, but also far more dry and blunt, too. And it was a vast relief to see a (relatively) modern film with as much time to pay to its characters as Together (Lukas Moodysson, 2000), an unflinching and strangely warm account of communal living.