‘Hauntology’ is a word that’s appeared on my radar only recently. It was originally a term coined by Jacques Derrida, linked to the similar-sounding ‘ontology’, the philosophical study of the nature of being and reality. Derrida’s idea was that the end of history would be signalled by a preoccupation with nostalgic, ‘old-time’ aesthetics. I first came across the term in The Wire magazine, used to refer to the music of artists like Leyland Kirby and Broadcast & The Focus Group who create dreamlike aural soundscapes that conjure up nostalgic versions of the past.
This reminds me of a term that I and my friends used to joke about: we used the word ‘nowstalgia’ to refer to nostalgia for the present moment. I think we coined the term when the first wave of inexpensive digital cameras were available. One summer, every social event featured a common moment, usually two-thirds through the event, when people would gather around the tiny LCD screen of a digital camera to view the images. The appeal of seeing still images of an event that was still happening was a guilty pleasure. Spending time reviewing the images actually seemed to involve removing yourself from the moment, and seeing the event through a nostalgic filter. Years later, the proliferation of camera phones and latterly direct publishing of images on Facebook means that the phenomenon is far more common but perhaps a little more unsettling.
Today’s worry: is there an outside chance that Derrida might be proved right? Is ‘nowstalgia’ just a first step into our obsession with the recent, then more distant, past?