I’m a total sucker for songs with modular, separate elements that eventually come together in surprising ways.
‘I lost my place / In your / Line of vision’ begins the song, the vocal line stop-starting, timing at odds with the lone staccato guitar line. Then on the second vocal phrase the rhythm guitar and drums hit, just two beats for a fleeting moment.
Fifteen seconds in, Shahin Motia emits the perfect phrase ‘I hate my body / I love your eyes’ and the drums thwack again and again, battling the guitar riff with bloodyminded steadiness.
And then, suddenly, the whole band are in agreement. Thick guitars mesh together, the off-kilter drums manage to underpin the melody without appearing to relate to it, and Shahin sings ‘You see, you see me, you see me / Hey, you see me, you see me’. It’s mindless but it feels eloquent, somehow.
The song’s modular, bitty. It never allows itself to reach a stable rhythm. The band occasionally drops out leaving just the knifing guitar, only to appear with a shriek moments later. Past the 50 second mark you feel that the band could fray and dissipate at any moment, and then at 1 min 03 secs it’s all over as abruptly as it began.